Bolshoi Ballet: The Nutcracker Free Without Membership Hd-720p mkv putlocker9
release Date: 2019; runtime: 2Hour 30Minute. Bolshoi ballet: el cascanueces freeze. The ending gives me chills every single time. 感受一场震撼的芭蕾舞蹈.
I'm crying this so beautiful and magical
Almost as much enjoyment out of watching how the musicians make the story come to life with their instruments as it is to watch the ballerinas prance around to it. Bolshoi ballet: El cascanueces free mobile. 27. 02. 2020 Announce Il Barbiere di Siviglia. Debut Bolshoi Opera soloist Ekaterina Vorontsova makes her role debut as Rosina. 15. 2020 Announce Etudes (12:00. Debut Margarita Shrayner makes her first appearance in the leading part. Announce Forgotten Land. Debut Couple in Black: Anna Nikulina. 12. 2020 Announce La Sylphide. Debut in the Title Part Xenia Zhiganshina makes her first appearence as Sylph. 09. 2020 Announce Romeo and Juliet (A. Ratmansky's Version. Debut Denis Savin is going to perform the part of Tybalt for the first time. 07. 2020 Announce Ekaterina Lukas is going to perform in our Chamber Stage production for the first time. She will sing the title part in La Périchole. 02. 2020 A guest soloist of the Bolshoi Theatre Eduard Martynyuk will perform part of Vaudemont in Sergei Zhenovachs production for the first time. 17. 01. 2020 Our magazine Bolshoi Theatre Magazine Online.
Bolshoi ballet: el cascanueces free trial. 巅峰之舞👍灵魂为之震颤！. Photos Add Image Add an image Do you have any images for this title? Learn more More Like This Fantasy, Music Romance 1 2 3 4 5 6 7 8 9 10 8. 3 / 10 X The television adaptation of the Baryshnikov production. Director: Tony Charmoli Stars: Mikhail Baryshnikov, Gelsey Kirkland, Alexander Minz Drama Although the set design and most of the costumes are remarkably like the later Royal Ballet Peter Wright productions, 2001 and 2009) many tiny details are different. While the production. See full synopsis » John Vernon Lesley Collier, Anthony Dowell, Michael Coleman 6. 5 / 10 A revival of Peter Wright's production of "The Nutcracker. Ross MacGibbon Miyako Yoshida, Steven McRae, Gary Avis Animation Short 7. 6 / 10 A young chambermaid finds a neglected nutcracker under a Christmas tree. It comes to life, but the Nutcracker is really an enchanted prince. Boris Stepantsev Hans Conried, Shirley MacLaine 7. 9 / 10 In this wonderfully traditional, Russian Nutcracker, performed by the Mariinsky Ballet, Tchaikovsky's glorious score is conducted by Valery Gergiev. Vainonen's colourful production and. See full summary » Alexandra Korshunov, Fyodor Lopukhov, Vladimir Ponomarev Merle Park, Rudolf Nureyev, Geoffrey Cauley Motoko Sakaguchi Natalya Arkhipova, Marina Lazareva, Ilse Liepa 8. 6 / 10 Tchaikovsky composed "The Nutcracker" during four months in 1891. A large part of the ballet was written at sea on a journey from Europe to the United States. Perhaps the most beloved of. See full summary » Yelena Macheret Yekaterina Maksimova, Vladimir Vasilev, Vladimir Levashev 4. 9 / 10 A Russian ballet dancer defects from the U. S. R., emigrates to England, and joins a ballet company run by a powerful, wealthy lady (Dame Joan Collins. Anwar Kawadri Joan Collins, Carol White, Paul Nicholas 7. 4 / 10 The storm is really getting bad out there. Come on in and sit by the fire, enjoy the tree, make yourself a hot cup of Cocoa and enjoy the classic tale of The Nutcracker. Let us be your. See full summary » Derek Bailey Paul Boyd, Joyce Cuoco, Tero Julku Author-designer Mikhail Shemiakin's sinister re-imagining of Tchaikovsky's beloved Christmas ballet. Denis Caïozzi Valery Gergiev, Mariinsky Theatre Orchestra, Irek Mukhamedov, Sandra Madgwick Edit Storyline A one-hour version of Tchaikovsky's classic ballet, with a somewhat revised storyline reminiscent of "The Wizard of Oz. Plot Summary Add Synopsis Details Release Date: 21 December 1965 (USA) See more » Also Known As: The Nutcracker Company Credits Technical Specs See full technical specs » Did You Know? Trivia Released on DVD by the Warner Archive collection in 2009. Eddie Albert 's narration is included. See more » Goofs As he is speaking during the introductory host sequence, Eddie Albert can quite obviously be seen glancing to the side occasionally to read the cue cards. See more » Quotes Narrator: from the videotaped introduction to the film] Now why would anybody write about a nutcracker? Well, nutcrackers nowadays are pretty plain affairs, but in the olden days, master craftsmen would outdo one another carving nutcrackers from wood or from metal. See more » Alternate Versions The American telecast of this program featured entirely new opening credits especially designed for it by CBS. See more » Connections Version of The Enchanted Nutcracker (1961) See more ».
Bolshoi ballet: el cascanueces freeway.
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The clara in this is a little too old.
No idea why they chose this performance, the synchronicity is severely lacking.
Bolshoi ballet: el cascanueces free shipping.
5:10 - Ekaterina Krysanova, bodylines, strong stride, balance, flight. To the 1% reading this, I hope you become successful in everything you dream of and accomplish more than you had imagined. Lmaooo and im over struggling to stand up straight on two feet😂😂. Thank you for posting this the day of my birthday! Beautiful present. C'est très beau la danse classique. Russia, 2014 Captured live at the Bolshoi 17. December 2017 - 4:00 pm Ballet Russia, 2014 135 min. Music: Pyotr Tchaikovsky Choreography: Yuri Grigorovich Libretto: Yuri Grigorovich (after E. T. A. Hoffmann and Marius Petipa. Homepage TANZ IM KINO As the clock strikes midnight on Christmas Eve, Maries wooden nutcracker doll comes to life and transforms into a prince! Soon joined by her other toys that have also come to life, Marie and her prince embark on a dreamy unforgettable adventure. A holiday tradition for the whole family, The Nutcracker sweeps the Bolshoi stage for two hours of enchantment and magic. Along with Tchaikovskys cherished score and and some of the Bolshois greatest artists, The Nutcracker remains a treasure not to be missed! Cast: Denis Rodkin (the Nutcracker Prince) Anna Nikulina (Marie) Andrei Merkuriev (Drosselmeyer) Vitaly Biktimirov (the Mouse King) and the Bolshoi Corps de Ballet. Videos Images L_NUTCRACKER_OFFICIAL_VISUAL_HD_ANNA NIKULINA AND DENIS RODKIN (c) D. Download Nutcracker_EXTRA 2_ photo by damir See also.
The event has already taken place. Sat, 11. 01. 2020 Wiener Stadthalle, Hall F Vorteile beim Ticketkauf auf free deposit at Wiener Stadthalle box office Free Mobile Ticket on your Smartphone or Apple Wallet Free Print@Home Ticket Expected Schedule - Subject to changes! 06. 00 pm: Doors open 07. 00 pm: Start 09. 10 pm: Expected end incl. break On the 11th January 2020 the Bolshoi State Ballet of Belarus will stop in the Wiener Stadthalle with "The Nutcracker" a production by Alexandra Tikhomirova. The internationally renowned achievements are also honoured by the UNESCO World Cultural Heritage Site, which the Bolshoi State Theatre of Belarus has awarded with the Great World Cultural Prize "Five Continents" for its significant contribution to culture. Only a few ballet ensembles with such a large cast of star dancers, State Prize winners, multiple award-winning gold medals and Grand Prix winners from international dance competitions stand for the preservation of Russian culture and tradition, which has achieved world fame through top quality. Read more » Dates Wiener Stadthalle, Hall F Wien Sat, 11. 2020, 7:00 pm Video Info On the day of the event tickets can only be purchased at the Wiener Stadthalle box office or by phone at 0043 01 98100-200! Seating Organizer RBI Konzerte GmbH Gallmiststraße 15 6800 Feldkirch « Event overview.
Imagine how grueling the rehearsals for this was. I feel like this version of sugar plum was choreographed to be excessively hard. Was it really necessary for Italian fouettes, fouettes, AND turning hops en pointe in the MIDDLE of the variation? Not the continuous ones because those make sense musically but the sequence prior. She's a lovely dancer and she did a great job with what Satan choreographed for her. I need this music to work with since I'm in the nutcracker as a mouse. We need robot ballet dancers. To do it perfect once so we can stop chasing perfection. 1:27:35 Seductive. That can either be terrifying or amazing to see in real life. I enjoyed this though I never got to see the full ballet of the nutcracker, only the first part. This was a beautiful performance and so was the music. The chorus in the music was a super nice touch.
Bolshoi ballet: el cascanueces free 2. İki ay bekledim nihayet buldum, Eski Türkiyede nadiren de olsa izleme imkanı olurdu, Yaşasın Teknoloji (YouTube) Cumhuriyeti.
After adoring Anna in Spartacus, I just could not picture her in a pink tutu, but here she is. She is so earthy in the former, but she does this very well too. Oh! The Prince is so handsome! I absolutely love his outfit. He looks very regal. Seit mehr als hundert Jahren gehört dieser Ballettklassiker zu den unabdingbaren Bestandteilen eines gelungenen Weihnachtsfestes. Dem Ballett wurde das klassische Märchen von E. T. A. Hoffmann „Nussknacker und Mäusekönig“ aus dem 19. Jahrhundert zu Grunde gelegt. Die faszinierende Pracht von Bühnenbild und die mit mehr als 1000 sündhaft teuren Swarovski-Kristallen verzierten Kostüme vervollständigen das vitale Werk voller Romantik und machen den Abend zum wahren Fest für die Augen. Die Tänzer als Schneeflöckchen, Mäuse und Soldaten präsentieren in diesem Ballett das technische Können des klassischen Tanzes, und durch die hohe Professionalität bietet die Veranstaltung zudem auch für den jungen Zuschauer einen besonderen Reiz. Hier verbindet sich das unbekümmerte Spiel des Märchens mit den Auftritten hochkarätiger Stars aus der schier unerschöpflichen Talentschmiede. Der Nussknacker Ballett in 2 Akten Musik Peter I. Tschaikowsky Libretto Marius Petipa Alexandra Tichomirowa Choreografie Alexandra Tichomirowa.
Bolshoi ballet: el cascanueces free torrent. 27:18 Part we're looking for. Bolshoi ballet: El cascanueces freedom. Bolshoi ballet: el cascanueces free stream. Now i just find this video and i can say when first saw her is : What a beautiful and fitness body. YouTube. You trained at the Gjel school of ballet, but how did you start dancing? It was absolutely my mother's desire, because I don't know a young man who would want to start dancing on his own. There is one such man, Nikolai Tsiskaridze, he is the only who wanted to start ballet on his own. But all the rest of my friends were sent to start ballet by their parents. For me at the very start the profession I didn't really like it or enjoy studying, but at one point it started to draw me in and I began to look at it in another way. I had several pedagogues there at Gjel, first a female because it's usually done that way, the main fundamentals are taught by females and then there is a transition to men's work where a male teacher must understand the details of technique and how to do a specific movement correctly. Then my last two teachers were men. I graduated under Alexei Alexandrovich Evdokim, who had been a soloist at the Bolshoi. When I studied at the Gjel school I thought the Bolshoi was not really my planet because at the time then I thought that probably my training wasn't enough to dance at the Bolshoi Theatre, but sometime during the third course I understood that I would be able to. I would never have attended the Moscow Choreographic Academy, because at the time I felt to do so would be to betray my school, for some reason I thought about that at the time... Now, I dont know what would have happened if I had graduated from MXGAT because maybe it would have been worse but maybe it would have been better. But as they say everything that happens, happens for the best. On 2009 a concert on stage the Bolshoi Theatre brought you here. How did that happen? It was that concert in 2009 that took place on the Bolshoi Stage, led me to believe that I might be able to dance in the Bolshoi, and not just dance in the Bolshoi but maybe even be a soloist in it. It was the festival of all choreographic schools that took place at the Moscow Academy. I was sent from Gjel. And I thought I would dance, and they would not let me into the Bolshoi. We danced the pas de deux from La Sylphide and it turned out they did not accept my partner but they accepted me. And that turned out to be a turning point that maybe there was a chance for me to dance at the Bolshoi. I auditioned with Eifman, and they accepted me, and I auditioned at the Bolshoi too. I didn't really care that they accepted me into the corps de ballet because they said today I will be in the corps de ballet, but tomorrow they might give me a solo part, and that was how I looked at it. You began working with Nikolai Tsiskardize immediately? Yes, practically immediately. I took the general company class the first two months, and in the third month Tsiskaridze noticed me and started to work with him. At first he corrected a lot of things, and it wasn't until the end of the first season that I danced the role of Bluebird. What impressions did you have of the company at first? When stars such as Uvarov and Tsiskaridze were in the company, for me they were my idols. I understood I had a lot of work ahead of me to reach their level. There was a lot of competition, but at the same time, things worked out in my life such that the other men who were taken into the company at the same time as me are still in the corps de ballet. Even those who graduated from the Moscow Choreographic Academy. What was it like to work with Tsiskaridze? Nikolai Maximovich is a very scrupulous person, every gesture and glance is important. He says that every step on stage has to be rehearsed and known in advance. Coordination of the body and arms, beauty of the lines and harmony and the cohesiveness of the character or image are required. When a person such as Tsiskaridze works with you, it's like being watched under a microscope. Many think that if you end up working with Tsiskardize, just due to his name everything will automatically fall into place and work out for you. But in reality, a great deal of hard work lies behind all of this because you cannot mislead him and dance poorly on stage, because if you do so he will be at fault, and if you dance well then you will be congratulated. So being a pedagogue is really hard. You received a higher diploma in 2013 in pedagogy from the Moscow Choreographic Academy, but your dancing career is soaring. Why the additional education? I need to study faster, and there was a possibility of receiving a higher education diploma there, so I did so. I consider it never hurts to have more degrees. I don't plan to be a pedagogue yet, but I do plan to receive yet another higher education degree. It's a secret until I actually do it, but then we will see. Who is your pedagogue now and how do you work together? Alexander Nikolayevich Vetrov, the last incredible dancer of the Bolshoi Theatre and a student of Pestov himself, just like Nikolai Maximovich Tsiskaridze. The two are a bit different because they're from different generations. Alexander NIkolayevich allows a freedom of choice in dance, whereas Nikolai Maximovich works strictly by the canon, it shall be the way I say it shall be. " Your first role was Bluebird, do you have a favorite role? You know, I always answer this question this way: My favorite role is the one I'm dancing now. Because to go out on stage and understand that it's not your favorite role, then on stage nothing will work out well. In two hours I have a performance of Don Quixote, so right now my favorite role is Basil. The role you'd like to dance? I've already danced most roles, even those that I have dreamt of. For example, I danced Siegfried and I really wanted to dance it. I never even dreamt of Spartacus, but I danced it. Generally I've danced all of the ballets of Yuri Grigorovich and I wanted to dance them. But there are a few. Romeo is one I'd like to dance to close out the classical repertoire. You danced at the Mariinsky? Yes, twice. The first time was probably fated and in some way defined my fate as a principal dancer at the Bolshoi because I danced at the Olga Moiseyevajubilee/anniversary gala with Svetlana Zakharova, and now I dance almost everything with her. Svetlana is a specific level, not just a specific level but an extremely high level to which you have to always strive towards and she's probably the only one like that, so for me it's a huge honor that I am dancing with her. And performing at the Mariinsky probably determined my fate in that way. The second time I danced Swan Lake at the Mariinsky upon the invitation of Yuri Fateyev. And it was my debut in the role. Immediately after that they promoted me to premiere danseur [principal dancer] at the Bolshoi. Probably the artistic director at the time, Sergey Filin, feared I would leave and join the Mariinsky. Is there a difference between the audience in Saint Petersburg and Moscow? We have paid 'bravo-yellers' here, called "clackers" and the tickets here are more expensive, that's the main difference. You travel a lot to dance in various countries, do you enjoy it? My favorite country is Japan and in second place, Italy. I love Japan because the public there is grateful and for whom ballet stands in first place. I like Italy as a country and it's talented with world culture values and tomorrow by the way I'm flying to Italy and it's great because in Moscow we have rain and it's sunny there all the time. Does the weather in Moscow influence how you dance? You know, we don't have winter or summer here, we can't really characterise it as anything, our weather can't be categorised in any way, we have something like "between the seasons" the sun shines and then it snows. Of course that affects how you feel and most importantly on your mood. Can you compare the level of dancing in Russia to that in the rest of the world? I think we have something to learn from Europe. You know, there is that correct concept of discipline that, no matter what, you attend company class and complete it. And it seems to me they have more endurance [in Europe] but in terms of the cohesion of productions, of course Russian artists more are capable in ballet, and the Russian level of ballet is higher than La Scala or Covent Garden. Because you come here and you see a production, you see action, a real theatre. In Europe, there are few such artists that really grab you with their image. But there they are very technical and capable and devoted to their art form. What's the hardest part of your profession? To get up in the morning and warm up. How do you retain interest in your art form? Your perseverance and drive is palpable in talking to you. I think it's inborn. I went to a restaurant last night and happen to run into a former classmate from Gjel there and she said something that I had never noticed but others notice: that I have some goal that I have to achieve and when I was in school I didn't pay attention to others, but other people noticed I was hard working and nothing existed around me except my profession. Maybe that's my innate diligence, it forces me to work further and not be lazy. However, any person who lives on this planet is lazy by nature. The hardest thing is to fight that laziness. And I have that ability, to fight that laziness. You were involved with soccer as a boy? Yes, I was involved with it and I did well. And now, it's possible if I had remained in soccer and became a soccer player that Russia would not have disgraced itself so badly in the championships. That's a joke! But I used to love to play soccer, I could go play it after ballet classes, I never got tired. And I did really well in it because a trainer from a good soccer club noticed me. But my mother insisted I stop because she considered soccer to be an injury-risking activity, but now she realizes that ballet is just as much so. I don't watch soccer anymore because our Russian players have removed any desire to watch it given their [low] level of playing. And I think it's better to do what I do best. And that's ballet. Do you have pets? Yes, I have a cat named Fedya. I like dogs but you have to walk them, so I like cats better. I like their impudence. How do you like to spend your free time? Talking with friends, or going to the Conservatory or to the opera but not to the Bolshoi because it is a place of work for me, so if I enter the theatre as a viewer, I still have the sense that I'm at work. But I will go to the opera at the Stanislavsky and I plan to attend the opera in Milan at some point. If you had advice for young people who aspire to dance, what would you say? Probably in the first place I would say, when a boy or girl is still little and does not yet understand what they want, then my advice would be for their parents: if the child has talent and the right traits, they should take them to ballet and if they do not have what is needed, do not force it, because everything is really harsh in those terms in this profession. However, those who began in ballet and continue it require a strong work ethic. All the talented dancers who I know have incredible work ethics and that is why now they are the best. For example, Svetlana Zakharova who, despite her gifts, is always working. For me it is surprising that with her gifts she works so hard, for me she is a role model in terms of discipline. Do you have a dream for the future? I would like to dance big classical roles on world European and American stages, I want to also dance in Tokyo. Probably right now I'd like to dance as a guest at Covent Garden and at the Paris Opera because it's always very important for an artist to have that sort of invitation.
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06 february thursday La Périchole Opera in three acts Adults only Boris Pokrovsky Chamber Stage (Nikolskaya, 17/1) 19:00 Loading data... 07 february friday 08 february saturday Romeo and Juliet Ballet by Alexei Ratmansky in three acts New Stage 12:00 09 february sunday Peter and the Wolf Symphonic fairytale for children 14:00 15:00 “Beethoven forever” Bolshoi Theatre Chamber Orchestra and Nikita Galaktionov (piano) Concert In commemoration of Ludwig van Beethovens 250th anniversary Beethoven Hall 12 february wednesday La Sylphide Ballet in two acts 13 february 14 february Sadko Opera in seven scenes Premiere Historic Stage Cherevichki Comic opera fiction in two acts 15 february 16 february 17 february monday 18 february tuesday 19 february 21 february Swan Lake 22 february 23 february 18:00 Romance for Strings Bolshoi Theatre Orchestra artists Concert 26 february Anna Karenina Ballet by John Neumeier in two acts based on the novel of the same name by Leo Tolstoy The Pretty Demon Opera in two acts 27 february 29 february The Winters Tale Ballet by Christopher Wheeldon in three acts with a prologue 01 march 03 march Il Viaggio a Reims Opera in one act presented with one interval 04 march 05 march 06 march 07 march The Little Sweep One-act opera Mazeppa Opera in concert performance 08 march 09 march 10 march Don Quixote Ballet in three acts 11 march Dido and Aeneas Opera in three acts Adults only 12 march Anthology of Russian Classical Romances. Sergei Rachmaninov. Part III Bolshoi Theatre Young Artists Opera Program Concert 13 march Attila Bashkir State Opera and Ballet Theatre production 14 march Spartacus 19:30 15 march 18 march Carmen Opera in four acts Bolshoi Theatre Orchestra Violists Concert 19 march 20 march 21 march Ariadne auf Naxos Opera in one act with prologue Music for Piano Trio Bolshoi Theatre Orchestra Artists Concert 22 march 25 march Bolshoi Theatre Wind Quintet Concert 27 march Il mondo della luna 28 march Iberian Kaleidoscope Cheerful Music Ensemble Bonquinton Concert 30 march Ballet Without Borders. Charity Concert 31 march Bolshoi Theatre Orchestra Cellists Concert 01 april La Bayadere Perm Opera and Ballet Theatre presents In the framework of Golden Mask National Theatre Festival The Nose 03 april The Pygmalion Effect Ballet by Boris Eifman in two acts St. Petersburg Eifman Ballet production Il turco in Italia 04 april Vladimir Matorin Concert To the 75th anniversary of the Victory in the Great Patriotic War 05 april 06 april Viva la Vita. Charity foundation Podari Zhizn Gala 08 april International Professional Music BraVo Awards. Awarding Ceremony and Gala Rusalka 09 april Giselle Production by Alexei Ratmansky French Vocal Music Evening 10 april 11 april 12 april 13 april Bolshoi Theatre Orchestra Clarinets Concert 14 april Nutcracker 15 april The Idiot Opera in four acts Fire of Unquenchable Love. Vocal cycle by Boris Akimov to lyrics by Ivan Turgenev Bolshoi Theatre Opera Soloists and Orchestra Artists Concert 16 april Jewels Ballet by George Balanchine in three parts 18 april Vladimir Vasiliev Jubilee Evening Don Pasquale Opera in three acts The Rostov Mystery Musical performance in two acts with a prologue and an epilogue 19 april 22 april La Traviata Opera in two acts 23 april Die Zauberflöte 24 april Bolshoi Theatre Brass Ensembles' Concert 25 april Coppelia 26 april 27 april Organ Music Concert 29 april Ivan the Terrible Ballet in two acts 30 april 03 may Chamber Music: larinet 05 may Paganini 24 06 may 07 may Bolshoi Theatre Opera soloists concert For the Rest of the Life Concert 08 may 09 may 10 may 12 may Lady of the Camellias Ballet by John Neumeier in three acts with a prologue 13 may 17 may An Evening In Paris 19 may Boris Godunov 20 may Myths and Reality 21 may The Fair at Sorochyntsi Opera buffa in three acts 22 may 23 may 24 may Anna Bolena 26 may Iolanta Symphonic suite Nutcracker is performed as part of production 27 may 29 may Moscow State Academy of Choreography Performance Great Piano Quintets 30 may La Bohème Opera in four scenes 31 may Fêtes Galantes Bolshoi Theatre Chamber Orchestra Concert Loading data...
One of my favourite pieces of music 😍🎶. 07. Act 1 Tableau 1- Clara and the Nutcracker. Die letzte Künstlerin hatte es drauf! Nicht nur technisch sondern auch ihre Ausstrahlung kam rüber. Und meine Lehrerin sagte immer: ihr müsst eure Ausstrahlung bis in die hintersten Reihen transportieren. Sie sagte auch, dass die Handhaltung bei den besten oft nicht schön sind! Die Hände und Finger bilden eine fließende Linie und sind nicht abgeknickt und ähneln eher einer Schaufel. Die Russen legen auch viel mehr wert auf die ganz kleinen Dinge, somit ist das gesamte Kunstwerk auch viel ästhetischer als sonstwo auf der Welt.
1:19:33 Black swan pas de duex because that's obviously the best part. Filmausschnitte/Videotrailer HTML5-Video-Unterstützung wird benötigt Videoauswahl 1 2 3 4 5 6 7 8 9 10 Getanzte Traumwelt Das Ballett "Der Nussknacker" ist ein Weihnachtsklassiker: Jung und Alt lassen sich von der Geschichte eines jungen Mädchens, das zum Weihnachtsfest einen Nussknacker geschenkt bekommt und davon träumt, dass er sich in einen Märchenprinzen verwandelt, faszinieren und in eine Traumwelt entführen. In der berühmten Choreografie von Juri Grigorowitsch, dem legendären Chef des Bolschoi Balletts, sind Nina Kaptsova und Artem Ovcharenko, die beiden ersten Solotänzer des Balletts, und Denis Savin in den Hauptrollen des Märchenballetts zu erleben.
A truly magical performance - the conductor and the orchestra amply demonstrate how popular need not become hackneyed. There is inspiration in every note of this superb interpretation - just wonderful. Bolshoi ballet: El cascanueces.
- Bolshoi Ballet: Der Nussknacker